AUGUST, 2022 | BERLIN, GERMANY
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Artwork by Eowyn Joy.
JULIE WYMA, EXECUTIVE DIRECTOR
​ANASTASIA NIKOLOV, ARTISTIC DIRECTOR
World-renowned faculty will guide participating artists in rehearsals, musical coachings, language coachings, voice lessons, dramatic work, Lied and chamber music coachings, musical and staging rehearsals, preparing for auditions in the German theatre system, masterclasses, sectional and tutti rehearsals and more.

Casting the following roles in Strauss Elektra:

Lead Roles
Elektra - soprano
Chrysothemis - soprano
Klytaemnestra - mezzo-soprano
Orest - baritone/bass-baritone

Secondary Roles
Aegisth - tenor
Die Vertraute - soprano
Schlepptraegerin  - soprano
Ein junde Diener - tenor
Ein alter Diener - bass
Die Aufseherin - soprano
1. Magd - mezzo-soprano/alto
2. Magd - mezzo-soprano
3. Magd - mezzo-soprano
4. Magd - soprano
​5. Magd - soprano
Der Pfleger des Orest - baritone/bass-baritone
Singers will have the opportunity to work on Germanic Lieder and Chamber Music repertoire in a singer/pianist duo and/or with instrumental players from the Orchestra Academy; and perform selections of the prepared repertoire in recitals in our chamber hall, housing the piano of the late Dietrich Fischer-Dieskau. 

Among the composers covered will be:
Richard Strauss
Richard Wagner
Erich Korngold
Clara Schumann
Johannes Brahms
Fanny Mendelssohn
Robert Schumann
Franz Schubert
​Alexander von Zemlinsky
Hugo Wolf
Alban Berg
Arnold Schoenberg
Ludwig van Beethoven
Franz Liszt
Felix Mendelssohn
Members of the DVP Orchestra Academy will work intensively with the Program’s Music Director and Conductor, Felice Venanzoni (Oper Frankfurt, Salzburger Festspiele), as well as with professional section leaders to prepare the score of Elektra. The rehearsal process will focus not just on accurate playing but also on style, interpretation, articulation, and ensemble. Musicians will participate in regular sectional and tutti rehearsals, both with and without singers.
The DVP Orchestra Academy with feature Masterclasses with professional musicians, which will be open to the public and professionally recorded.
Orchestra Academy musicians will also have the opportunity to work on Germanic Chamber Music repertoire with singers and pianists. This will culminate in a Chamber Music Recital Series, which will also be open to the public and professionally recorded.
WAGNER'S RHEINGOLD, AUGUST 11-31 2019 
© Photos property of Dramatic Voices Program Berlin
Because the program has no age limit, young dramatic voices get to share the stage with seasoned professionals who are participating in the program because they want to sing a particular role or are changing Fachs. I established solid professional relationships with people who are in the industry, and working in the opera houses in Europe. And what I have received in lessons, coachings, masterclasses and performance opportunities, headshots, recordings has been one of the most cost effective investments I have done.' 
                                                     - Stephanie DePrez, Soprano [Woglinde, Das Rheingold 2019]

'Everything that was promised by the program came through beautifully. The daily coachings were impeccable, the voice teaching was fantastic. I feel like I have arrived at another level. I can add Wagner to my repertoire and I owe this to the Dramatic Voices Program Berlin.' 
                                                                       - Marc Molomot, Tenor [Mime, Das Rheingold 2019]

'My favorite part were the coachings and lessons, which were at a very high level - they were specific and always done from an encouraging point of view. I did a lot of artistic growth in an environment that is supportive and encourages risk-taking.' 
                                                         - Jennifer Carter, Soprano [Wellgunde, Das Rheingold 2019]
THERE IS NO FEE TO APPLY | THE PROGRAM HAS NO AGE LIMIT
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