THE PROGRAM OFFERS:
Please note that the 2023 program will be a hybrid,
with online sessions in June, 2023
and in-person sessions in Berlin, Germany between July 7-23, 2023.
with online sessions in June, 2023
and in-person sessions in Berlin, Germany between July 7-23, 2023.
ASSISTANT STAGE DIRECTOR:
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ASSISTANT CONDUCTOR:
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PLEASE NOTE THAT THE ASSISTANT POSITIONS ARE NOT PAID.
THEY ARE SUITED FOR APPLICANTS IN THE BEGINNING OF THEIR CAREERS
(OR FOR APPLICANTS CHANGING CAREER PATHS) AND LOOKING TO GAIN PRACTICAL
PROFESSIONAL EXPERIENCE.
THEY ARE SUITED FOR APPLICANTS IN THE BEGINNING OF THEIR CAREERS
(OR FOR APPLICANTS CHANGING CAREER PATHS) AND LOOKING TO GAIN PRACTICAL
PROFESSIONAL EXPERIENCE.
APPLICATION CHECKLIST
Please send the following per email:
- Cover Letter detailing how you found out about the program and how it will benefit your career
- Curriculum Vitae/Resume
- Photo
- Links to video samples of applicant's conducting
- Link to applicant's playing and singing an excerpt from Wagner's Die Walküre that demonstrates applicant's level of German and keyboard skills.
- Letter of recommendation from a stage director the applicant has previously worked with. Letter needs to be emailed directly to dramaticvoicesprogram@gmail.com.
Interviews will be by appointment.
Applications will be evaluated as they are received and will be accepted until the position is filled.
Early application is advised.
Applications will be evaluated as they are received and will be accepted until the position is filled.
Early application is advised.
THERE IS NO FEE TO APPLY | THE PROGRAM HAS NO AGE LIMIT
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ALL ACCEPTED ARTISTS WILL RECEIVE A PARTIAL SCHOLARSHIP
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THE HARRIET T. BARTLETT SCHOLARSHIP
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ALL ACCEPTED ARTISTS WILL RECEIVE A PARTIAL SCHOLARSHIP
⚬
THE HARRIET T. BARTLETT SCHOLARSHIP
APPLICATION DEADLINE FOR SINGERS & PIANISTS: MARCH 30, 2023
© Photos property of Dramatic Voices Program Berlin
Because the program has no age limit, young dramatic voices get to share the stage with seasoned professionals who are participating in the program because they want to sing a particular role or are changing Fachs. I established solid professional relationships with people who are in the industry, and working in the opera houses in Europe. And what I have received in lessons, coachings, masterclasses and performance opportunities, headshots, recordings has been one of the most cost effective investments I have done.'
- Stephanie DePrez, Soprano [Woglinde, Das Rheingold 2019]
'Everything that was promised by the program came through beautifully. The daily coachings were impeccable, the voice teaching was fantastic. I feel like I have arrived at another level. I can add Wagner to my repertoire and I owe this to the Dramatic Voices Program Berlin.'
- Marc Molomot, Tenor [Mime, Das Rheingold 2019]
'My favorite part were the coachings and lessons, which were at a very high level - they were specific and always done from an encouraging point of view. I did a lot of artistic growth in an environment that is supportive and encourages risk-taking.'
- Jennifer Carter, Soprano [Wellgunde, Das Rheingold 2019]
- Stephanie DePrez, Soprano [Woglinde, Das Rheingold 2019]
'Everything that was promised by the program came through beautifully. The daily coachings were impeccable, the voice teaching was fantastic. I feel like I have arrived at another level. I can add Wagner to my repertoire and I owe this to the Dramatic Voices Program Berlin.'
- Marc Molomot, Tenor [Mime, Das Rheingold 2019]
'My favorite part were the coachings and lessons, which were at a very high level - they were specific and always done from an encouraging point of view. I did a lot of artistic growth in an environment that is supportive and encourages risk-taking.'
- Jennifer Carter, Soprano [Wellgunde, Das Rheingold 2019]