THE PROGRAM OFFERS:
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Please note that this position has already been filled for 2025.
ASSISTANT STAGE DIRECTOR
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ASSISTANT CONDUCTOR
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PLEASE NOTE THAT ASSISTANT POSITIONS ARE NOT PAID.
THEY ARE SUITED FOR APPLICANTS IN THE BEGINNING OF THEIR CAREERS
(OR FOR APPLICANTS CHANGING CAREER PATHS)
AND LOOKING TO GAIN PRACTICAL PROFESSIONAL EXPERIENCE.
THEY ARE SUITED FOR APPLICANTS IN THE BEGINNING OF THEIR CAREERS
(OR FOR APPLICANTS CHANGING CAREER PATHS)
AND LOOKING TO GAIN PRACTICAL PROFESSIONAL EXPERIENCE.
APPLICATION CHECKLIST
Please send the following per email:
- Cover Letter detailing how you found out about the program and how it will benefit your career
- Curriculum Vitae/Resume
- Photo
- Links to video samples of applicant's conducting live any piece (vocal or instrumental)
- Link to applicant's playing and singing an excerpt from Strauss' Elektra that demonstrates applicant's level of German and keyboard skills (only for musicians with piano as primary instrument).
Please send all application materials per email to [email protected]
Interviews will be by appointment.
Applications will be evaluated as they are received and will be accepted until the position is filled.
Early application is advised.
Applications will be evaluated as they are received and will be accepted until the position is filled.
Early application is advised.
JULIE WYMA, EXECUTIVE DIRECTOR | ANASTASIA INNISS, ARTISTIC DIRECTOR
© Photos property of Dramatic Voices Program Berlin
'For a long time I have really really struggled with self belief and nerves, to the point of being physically sick before performing and withdrawing myself from competitions due to immense nerves. Dramatic Voices Program Berlin has given me the support and encouragement I've needed to lessen these severe feelings. The program offered me a safe space to be vulnerable as a performer and gave me the assurance that I am on the right path. I came onto the program a young, scared, pessimistic 25 year old with crippling impostor syndrome who had no idea how the opera world truely worked. And although my constant questions and asking for reassurance from you may have seemed annoying, I felt that you allowed me to ask the questions. This program has helped me in more ways than anything I have attended to date. With your guidance and the team's knowledge I feel incredibly inspired.
I flew back to New Zealand recently and competed in the Lockwood New Zealand Aria Competition over the weekend where out of 47 singers, I made it through to the final where I performed with an orchestra for the first time in my life. Of course there were nerves but without DVP I don't think I would have been able to get through the performances.
I just wanted to thank you for this incredible program. As a young singer with a fuller voice it is always so challenging and you both created a safe space for me to discover my voice and myself as a performer.'
- Ellis Carrington, Soprano
'I just wanted to say thank you again for such an amazing DVP 2024! I can’t believe what we accomplished, and your vision proves that expecting the best from people and believing in us really does bring out our best. I really appreciate your commitment to professionalism and treating artists with respect. I always felt like my time and well-being were important, and your scheduling/organizational prowess is top notch! Getting to see artists at all stages of their lives and careers is invaluable and inspiring, and really promotes much more learning and depth to the experience. Needless to say, DVP is a breath of fresh air, and I’m looking forward to applying again for next year!!'
- Helena Waterous
'It was another amazing experience for me, and a great honor. I loved working with such talented colleagues and faculty, who were also kind and lovely human beings. The Lieder program was a joy! Before 2019 I never imagined singing Wagner or Strauss or any kind of dramatic repertoire. You and DVP showed me that I have more potential than I ever imagined, and you changed the course of my musical life.'
- Margaret O'Connell, Mezzo-Soprano
'I am writing to you to express my gratitude for this year's program! I am so happy to have been given this amazing opportunity to take part in DVP 2024. It was indeed life-changing for me in many ways. I received a lot of encouragement and additional clarity on direction in how to navigate this complex path. It was so nice to meet you both, the rest of the faculty and all of the amazing artists. Everyone was so talented and I really believe all of our paths will cross again in future. I was really impressed by you ability to manage this project! You managed to attract such competent professionals which also massively expanded our networks which I am also very grateful for.'
- Ieva Glinske, Soprano
'Because the program has no age limit, young dramatic voices get to share the stage with seasoned professionals who are participating in the program because they want to sing a particular role or are changing Fachs. I established solid professional relationships with people who are in the industry, and working in the opera houses in Europe. And what I have received in lessons, coachings, masterclasses and performance opportunities, headshots, recordings has been one of the most cost effective investments I have done.'
- Stephanie DePrez, Soprano
'Everything that was promised by the program came through beautifully. The daily coachings were impeccable, the voice teaching was fantastic. I feel like I have arrived at another level. I can add Wagner to my repertoire and I owe this to the Dramatic Voices Program Berlin.'
- Marc Molomot, Tenor
'My favorite part were the coachings and lessons, which were at a very high level - they were specific and always done from an encouraging point of view. I did a lot of artistic growth in an environment that is supportive and encourages risk-taking.'
- Jennifer Carter, Soprano
'The first time I sang a solo hojotoho wth orchestra was a highlight of my LIFE! I also absolutely loved being part of such a supportive and talented cohort. What a great bunch of people. I very much enjoyed having the chance to work on my Lieder as well as the Wagner role, and the Masterclasses were also fantastic.It was a perfectly balanced and well-designed program. I cannot thank you enough for the opportunity.'
- Belinda Patterson, Mezzo-Soprano
'Working with Clay Hilley really gave me practical new insights into vocal technique which was underscored beautifully by Carol Mastrodomenico.'
- Pierre du Toit, Tenor
'I loved getting to work with such talented, experienced, and kind singers! It was so educational for me to have the chance to work with professionals that had more experience with me. Their confidence and control of their instruments allowed for deep musical work and inspired me to improve. I also loved how helpful the program was in terms of finding housing for the program. It made coming to a huge new city in a different country as comfortable as it could be! As said before, I also really appreciated the supportive vibe within the program and how connected everyone felt. Having the chance to get to know colleagues from several continents was so special! The program leaders and staff did a fantastic job of bringing in people who were not only talented, but kind and well-rounded as well. They were also extremely understanding and willing to work with any issues that arose during the program. This attitude of positivity and acceptance is how all music programs should be run and I hope to see more programs adopt it in the future.'
- Noah Stone, Pianist
'I absolutely loved all of the faculty and leadership of the program. I wish I could have absorbed more knowledge and gotten to spend more time with you all.'
- Nick Masiello, Tenor
I flew back to New Zealand recently and competed in the Lockwood New Zealand Aria Competition over the weekend where out of 47 singers, I made it through to the final where I performed with an orchestra for the first time in my life. Of course there were nerves but without DVP I don't think I would have been able to get through the performances.
I just wanted to thank you for this incredible program. As a young singer with a fuller voice it is always so challenging and you both created a safe space for me to discover my voice and myself as a performer.'
- Ellis Carrington, Soprano
'I just wanted to say thank you again for such an amazing DVP 2024! I can’t believe what we accomplished, and your vision proves that expecting the best from people and believing in us really does bring out our best. I really appreciate your commitment to professionalism and treating artists with respect. I always felt like my time and well-being were important, and your scheduling/organizational prowess is top notch! Getting to see artists at all stages of their lives and careers is invaluable and inspiring, and really promotes much more learning and depth to the experience. Needless to say, DVP is a breath of fresh air, and I’m looking forward to applying again for next year!!'
- Helena Waterous
'It was another amazing experience for me, and a great honor. I loved working with such talented colleagues and faculty, who were also kind and lovely human beings. The Lieder program was a joy! Before 2019 I never imagined singing Wagner or Strauss or any kind of dramatic repertoire. You and DVP showed me that I have more potential than I ever imagined, and you changed the course of my musical life.'
- Margaret O'Connell, Mezzo-Soprano
'I am writing to you to express my gratitude for this year's program! I am so happy to have been given this amazing opportunity to take part in DVP 2024. It was indeed life-changing for me in many ways. I received a lot of encouragement and additional clarity on direction in how to navigate this complex path. It was so nice to meet you both, the rest of the faculty and all of the amazing artists. Everyone was so talented and I really believe all of our paths will cross again in future. I was really impressed by you ability to manage this project! You managed to attract such competent professionals which also massively expanded our networks which I am also very grateful for.'
- Ieva Glinske, Soprano
'Because the program has no age limit, young dramatic voices get to share the stage with seasoned professionals who are participating in the program because they want to sing a particular role or are changing Fachs. I established solid professional relationships with people who are in the industry, and working in the opera houses in Europe. And what I have received in lessons, coachings, masterclasses and performance opportunities, headshots, recordings has been one of the most cost effective investments I have done.'
- Stephanie DePrez, Soprano
'Everything that was promised by the program came through beautifully. The daily coachings were impeccable, the voice teaching was fantastic. I feel like I have arrived at another level. I can add Wagner to my repertoire and I owe this to the Dramatic Voices Program Berlin.'
- Marc Molomot, Tenor
'My favorite part were the coachings and lessons, which were at a very high level - they were specific and always done from an encouraging point of view. I did a lot of artistic growth in an environment that is supportive and encourages risk-taking.'
- Jennifer Carter, Soprano
'The first time I sang a solo hojotoho wth orchestra was a highlight of my LIFE! I also absolutely loved being part of such a supportive and talented cohort. What a great bunch of people. I very much enjoyed having the chance to work on my Lieder as well as the Wagner role, and the Masterclasses were also fantastic.It was a perfectly balanced and well-designed program. I cannot thank you enough for the opportunity.'
- Belinda Patterson, Mezzo-Soprano
'Working with Clay Hilley really gave me practical new insights into vocal technique which was underscored beautifully by Carol Mastrodomenico.'
- Pierre du Toit, Tenor
'I loved getting to work with such talented, experienced, and kind singers! It was so educational for me to have the chance to work with professionals that had more experience with me. Their confidence and control of their instruments allowed for deep musical work and inspired me to improve. I also loved how helpful the program was in terms of finding housing for the program. It made coming to a huge new city in a different country as comfortable as it could be! As said before, I also really appreciated the supportive vibe within the program and how connected everyone felt. Having the chance to get to know colleagues from several continents was so special! The program leaders and staff did a fantastic job of bringing in people who were not only talented, but kind and well-rounded as well. They were also extremely understanding and willing to work with any issues that arose during the program. This attitude of positivity and acceptance is how all music programs should be run and I hope to see more programs adopt it in the future.'
- Noah Stone, Pianist
'I absolutely loved all of the faculty and leadership of the program. I wish I could have absorbed more knowledge and gotten to spend more time with you all.'
- Nick Masiello, Tenor