SCHOLARSHIPS
PLEASE READ SCHOLARSHIP ELIGIBILITY CAREFULLY.
We will not consider anyone who has applied for a scholarship but does not meet all requirements.
We will not consider anyone who has applied for a scholarship but does not meet all requirements.
THE HARRIET T. BARTLETT SCHOLARSHIP
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For the fourth year in a row, we are thrilled to announce
The Harriet T. Bartlett Scholarship. SCHOLARSHIP REQUIREMENTS & ELIGIBILITY: PLEASE READ SCHOLARSHIP ELIGIBILITY CAREFULLY. We will not consider anyone who has applied for this scholarship but does not meet all requirements. A half tuition scholarship awarded to one Black American singer through the generous donation of an anonymous sponsor (2022-2024). From 2025 the scholarship will be sponsored by Anastasia Inniss and Julie Wyma. HOW TO APPLY: If you are interested in applying for The Harriet T. Bartlett Scholarship, please indicate this on the application form and include a motivation letter clearly and specifically stating eligibility. The letter should also specify how you believe the program will benefit you. |
Past Recipients
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THE JOSH KILLINGWORTH SCHOLARSHIP
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For the third year in a row we are thrilled to announce
The Josh Killingsworth Scholarship. SCHOLARSHIP REQUIREMENTS & ELIGIBILITY: PLEASE READ SCHOLARSHIP ELIGIBILITY CAREFULLY. We will not consider anyone who has applied for this scholarship but does not meet all requirements. A half-tuition scholarship established and sponsored by Anastasia Inniss and Julie Wuma and awarded to an artist with a disability. HOW TO APPLY: If you are interested in applying for The Josh Killingsworth Scholarship for the 2025 program, please indicate this on the application form and include a motivation letter clearly and specifically stating eligibility. The letter should also specify how you believe the program will benefit you. |
Past Recipients
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THE DRAMATIC VOICES PROGRAM WAGNER SCHOLARSHIP
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We are thrilled to announce The Dramatic Voices Program Wagner Scholarship.
SCHOLARSHIP REQUIREMENTS & ELIGIBILITY: PLEASE READ SCHOLARSHIP ELIGIBILITY CAREFULLY. We will not consider anyone who has applied for this scholarship but does not meet all requirements. A 30% off tuition scholarship established and sponsored by Anastasia Inniss and Julie Wyma and awarded to an artist of color who displays the potential for a career in Wagner repertoire. HOW TO APPLY: If you are interested in applying for The Dramatic Voices Program Wagner Scholarship for the 2025 program, please indicate this on the application form and include a motivation letter clearly and specifically stating eligibility. The letter should also specify how you believe the program will benefit you. |
THE TRANS*VOICES SCHOLARSHIP
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We are thrilled to announce
The Trans*Voices Scholarship. SCHOLARSHIP REQUIREMENTS & ELIGIBILITY: PLEASE READ SCHOLARSHIP ELIGIBILITY CAREFULLY. We will not consider anyone who has applied for this scholarship but does not meet all requirements. A 30% off tuition scholarship established and sponsored by Anastasia Inniss and Julie Wyma and awarded to a transgender or non-binary artist. After our work on the Trans*Voices Masterclasses, this scholarship continues the that work in hopes of ushering more trans and non-binary voices into the the dramatic repertoire. HOW TO APPLY: If you are interested in applying for The Trans*Voices Scholarship for the 2025 program, please indicate this on the application form and include a motivation letter clearly and specifically stating eligibility. The letter should also specify how you believe the program will benefit you. |
THE DRAMATIC VOICES PROGRAM STRAUSS SCHOLARSHIP
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We are thrilled to announce
The Dramatic Voices Program Strauss Scholarship. SCHOLARSHIP REQUIREMENTS & ELIGIBILITY: PLEASE READ SCHOLARSHIP ELIGIBILITY CAREFULLY. We will not consider anyone who has applied for this scholarship but does not meet all requirements. A 25% off tuition scholarship established and sponsored by Anastasia Inniss and Julie Wyma and awarded to an artist over 40 years old who commenced their career later in life and/or is re-entering the performing arts after a long break. HOW TO APPLY: If you are interested in applying for The Dramatic Voices Program Strauss Scholarship for the 2025 program, please indicate this on the application form and include a motivation letter clearly and specifically stating eligibility. The letter should also specify how you believe the program will benefit you. |
THE JESSYE NORMAN SCHOLARSHIP
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We are thrilled to announce
The Jessye Norman Scholarship. SCHOLARSHIP REQUIREMENTS & ELIGIBILITY: PLEASE READ SCHOLARSHIP ELIGIBILITY CAREFULLY. We will not consider anyone who has applied for this scholarship but does not meet all requirements. A 25% off tuition scholarship established and sponsored by Anastasia Inniss and Julie Wyma and awarded on a merit-base. HOW TO APPLY: If you are interested in applying for The Jessye Norman Scholarship for the 2025 program, please indicate this on the application form and include a motivation letter clearly and specifically stating eligibility. The letter should also specify how you believe the program will benefit you. |
THE JAMES KING SCHOLARSHIP
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We are thrilled to announce
The James King Scholarship. SCHOLARSHIP REQUIREMENTS & ELIGIBILITY: PLEASE READ SCHOLARSHIP ELIGIBILITY CAREFULLY. We will not consider anyone who has applied for this scholarship but does not meet all requirements. A 25% off tuition scholarship established and sponsored by Anastasia Inniss and Julie Wyma and awarded on a merit-base. HOW TO APPLY: If you are interested in applying for The James King Scholarship for the 2025 program, please indicate this on the application form and include a motivation letter clearly and specifically stating eligibility. The letter should also specify how you believe the program will benefit you. |
JULIE WYMA, EXECUTIVE DIRECTOR | ANASTASIA INNISS, ARTISTIC DIRECTOR
THE PROGRAM HAS NO AGE LIMIT
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SCHOLARSHIP OPPORTUNITIES
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ADMINISTRATIVE FEE: 45€
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SCHOLARSHIP OPPORTUNITIES
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ADMINISTRATIVE FEE: 45€
APPLICATION DEADLINES:
London: November 20, 2024
Boston: November 20, 2024
Berlin: November 20, 2024
Recorded auditions: December 10, 2024
London: November 20, 2024
Boston: November 20, 2024
Berlin: November 20, 2024
Recorded auditions: December 10, 2024
© Photos property of Dramatic Voices Program Berlin
'For a long time I have really really struggled with self belief and nerves, to the point of being physically sick before performing and withdrawing myself from competitions due to immense nerves. Dramatic Voices Program Berlin has given me the support and encouragement I've needed to lessen these severe feelings. The program offered me a safe space to be vulnerable as a performer and gave me the assurance that I am on the right path. I came onto the program a young, scared, pessimistic 25 year old with crippling impostor syndrome who had no idea how the opera world truely worked. And although my constant questions and asking for reassurance from you may have seemed annoying, I felt that you allowed me to ask the questions. This program has helped me in more ways than anything I have attended to date. With your guidance and the team's knowledge I feel incredibly inspired.
I flew back to New Zealand recently and competed in the Lockwood New Zealand Aria Competition over the weekend where out of 47 singers, I made it through to the final where I performed with an orchestra for the first time in my life. Of course there were nerves but without DVP I don't think I would have been able to get through the performances.
I just wanted to thank you for this incredible program. As a young singer with a fuller voice it is always so challenging and you both created a safe space for me to discover my voice and myself as a performer.'
- Ellis Carrington, Soprano
'I just wanted to say thank you again for such an amazing DVP 2024! I can’t believe what we accomplished, and your vision proves that expecting the best from people and believing in us really does bring out our best. I really appreciate your commitment to professionalism and treating artists with respect. I always felt like my time and well-being were important, and your scheduling/organizational prowess is top notch! Getting to see artists at all stages of their lives and careers is invaluable and inspiring, and really promotes much more learning and depth to the experience. Needless to say, DVP is a breath of fresh air, and I’m looking forward to applying again for next year!!'
- Helena Waterous
'It was another amazing experience for me, and a great honor. I loved working with such talented colleagues and faculty, who were also kind and lovely human beings. The Lieder program was a joy! Before 2019 I never imagined singing Wagner or Strauss or any kind of dramatic repertoire. You and DVP showed me that I have more potential than I ever imagined, and you changed the course of my musical life.'
- Margaret O'Connell, Mezzo-Soprano
'I am writing to you to express my gratitude for this year's program! I am so happy to have been given this amazing opportunity to take part in DVP 2024. It was indeed life-changing for me in many ways. I received a lot of encouragement and additional clarity on direction in how to navigate this complex path. It was so nice to meet you both, the rest of the faculty and all of the amazing artists. Everyone was so talented and I really believe all of our paths will cross again in future. I was really impressed by you ability to manage this project! You managed to attract such competent professionals which also massively expanded our networks which I am also very grateful for.'
- Ieva Glinske, Soprano
'Because the program has no age limit, young dramatic voices get to share the stage with seasoned professionals who are participating in the program because they want to sing a particular role or are changing Fachs. I established solid professional relationships with people who are in the industry, and working in the opera houses in Europe. And what I have received in lessons, coachings, masterclasses and performance opportunities, headshots, recordings has been one of the most cost effective investments I have done.'
- Stephanie DePrez, Soprano
'Everything that was promised by the program came through beautifully. The daily coachings were impeccable, the voice teaching was fantastic. I feel like I have arrived at another level. I can add Wagner to my repertoire and I owe this to the Dramatic Voices Program Berlin.'
- Marc Molomot, Tenor
'My favorite part were the coachings and lessons, which were at a very high level - they were specific and always done from an encouraging point of view. I did a lot of artistic growth in an environment that is supportive and encourages risk-taking.'
- Jennifer Carter, Soprano
'The first time I sang a solo hojotoho wth orchestra was a highlight of my LIFE! I also absolutely loved being part of such a supportive and talented cohort. What a great bunch of people. I very much enjoyed having the chance to work on my Lieder as well as the Wagner role, and the Masterclasses were also fantastic.It was a perfectly balanced and well-designed program. I cannot thank you enough for the opportunity.'
- Belinda Patterson, Mezzo-Soprano
'Working with Clay Hilley really gave me practical new insights into vocal technique which was underscored beautifully by Carol Mastrodomenico.'
- Pierre du Toit, Tenor
'I loved getting to work with such talented, experienced, and kind singers! It was so educational for me to have the chance to work with professionals that had more experience with me. Their confidence and control of their instruments allowed for deep musical work and inspired me to improve. I also loved how helpful the program was in terms of finding housing for the program. It made coming to a huge new city in a different country as comfortable as it could be! As said before, I also really appreciated the supportive vibe within the program and how connected everyone felt. Having the chance to get to know colleagues from several continents was so special! The program leaders and staff did a fantastic job of bringing in people who were not only talented, but kind and well-rounded as well. They were also extremely understanding and willing to work with any issues that arose during the program. This attitude of positivity and acceptance is how all music programs should be run and I hope to see more programs adopt it in the future.'
- Noah Stone, Pianist
'I absolutely loved all of the faculty and leadership of the program. I wish I could have absorbed more knowledge and gotten to spend more time with you all.'
- Nick Masiello, Tenor
I flew back to New Zealand recently and competed in the Lockwood New Zealand Aria Competition over the weekend where out of 47 singers, I made it through to the final where I performed with an orchestra for the first time in my life. Of course there were nerves but without DVP I don't think I would have been able to get through the performances.
I just wanted to thank you for this incredible program. As a young singer with a fuller voice it is always so challenging and you both created a safe space for me to discover my voice and myself as a performer.'
- Ellis Carrington, Soprano
'I just wanted to say thank you again for such an amazing DVP 2024! I can’t believe what we accomplished, and your vision proves that expecting the best from people and believing in us really does bring out our best. I really appreciate your commitment to professionalism and treating artists with respect. I always felt like my time and well-being were important, and your scheduling/organizational prowess is top notch! Getting to see artists at all stages of their lives and careers is invaluable and inspiring, and really promotes much more learning and depth to the experience. Needless to say, DVP is a breath of fresh air, and I’m looking forward to applying again for next year!!'
- Helena Waterous
'It was another amazing experience for me, and a great honor. I loved working with such talented colleagues and faculty, who were also kind and lovely human beings. The Lieder program was a joy! Before 2019 I never imagined singing Wagner or Strauss or any kind of dramatic repertoire. You and DVP showed me that I have more potential than I ever imagined, and you changed the course of my musical life.'
- Margaret O'Connell, Mezzo-Soprano
'I am writing to you to express my gratitude for this year's program! I am so happy to have been given this amazing opportunity to take part in DVP 2024. It was indeed life-changing for me in many ways. I received a lot of encouragement and additional clarity on direction in how to navigate this complex path. It was so nice to meet you both, the rest of the faculty and all of the amazing artists. Everyone was so talented and I really believe all of our paths will cross again in future. I was really impressed by you ability to manage this project! You managed to attract such competent professionals which also massively expanded our networks which I am also very grateful for.'
- Ieva Glinske, Soprano
'Because the program has no age limit, young dramatic voices get to share the stage with seasoned professionals who are participating in the program because they want to sing a particular role or are changing Fachs. I established solid professional relationships with people who are in the industry, and working in the opera houses in Europe. And what I have received in lessons, coachings, masterclasses and performance opportunities, headshots, recordings has been one of the most cost effective investments I have done.'
- Stephanie DePrez, Soprano
'Everything that was promised by the program came through beautifully. The daily coachings were impeccable, the voice teaching was fantastic. I feel like I have arrived at another level. I can add Wagner to my repertoire and I owe this to the Dramatic Voices Program Berlin.'
- Marc Molomot, Tenor
'My favorite part were the coachings and lessons, which were at a very high level - they were specific and always done from an encouraging point of view. I did a lot of artistic growth in an environment that is supportive and encourages risk-taking.'
- Jennifer Carter, Soprano
'The first time I sang a solo hojotoho wth orchestra was a highlight of my LIFE! I also absolutely loved being part of such a supportive and talented cohort. What a great bunch of people. I very much enjoyed having the chance to work on my Lieder as well as the Wagner role, and the Masterclasses were also fantastic.It was a perfectly balanced and well-designed program. I cannot thank you enough for the opportunity.'
- Belinda Patterson, Mezzo-Soprano
'Working with Clay Hilley really gave me practical new insights into vocal technique which was underscored beautifully by Carol Mastrodomenico.'
- Pierre du Toit, Tenor
'I loved getting to work with such talented, experienced, and kind singers! It was so educational for me to have the chance to work with professionals that had more experience with me. Their confidence and control of their instruments allowed for deep musical work and inspired me to improve. I also loved how helpful the program was in terms of finding housing for the program. It made coming to a huge new city in a different country as comfortable as it could be! As said before, I also really appreciated the supportive vibe within the program and how connected everyone felt. Having the chance to get to know colleagues from several continents was so special! The program leaders and staff did a fantastic job of bringing in people who were not only talented, but kind and well-rounded as well. They were also extremely understanding and willing to work with any issues that arose during the program. This attitude of positivity and acceptance is how all music programs should be run and I hope to see more programs adopt it in the future.'
- Noah Stone, Pianist
'I absolutely loved all of the faculty and leadership of the program. I wish I could have absorbed more knowledge and gotten to spend more time with you all.'
- Nick Masiello, Tenor