INTERNSHIPS
The Dramatic Voices Program Berlin is a training program for professional and aspiring opera singers. This year's project is a production of Die Walküre (Richard Wagner) with reduced orchestration. Rehearsals and performances will take place in the Great Hall of the Luisen-Kirchengemeindehaus in Charlottenburg (Gierkeplatz).
|
STAGE MANAGEMENT INTERN:
We are looking for a Stage Management Intern to work on our production of Die Walküre this summer. This would involve (but is not limited to):
This is a great opportunity to work in a team of internationally established theatre professionals and gain invaluable experience. The internship will also be suitable for a singer who is looking to gain more experience in opera production in the German Theatre system. The in-person dates for the internship are July 23-August 19, 2026, though some online preparation will be required in the months leading up to the program. This internship includes a €500 stipend and we can assist in finding reasonably priced housing for your time in Berlin. At the end of the internship, we can offer a written recommendation and/or serve as a reference for further opportunities should you require it. A good command of English is required. If interested, please send CV/resume outlining relevant experience, as well as a cover letter, to [email protected] |
ADMINISTRATIVE/PRODUCTION INTERN:
We are looking for a Production/Administration Intern to work on our production of Die Walküre this summer. This would involve (but is not limited to):
This is a great opportunity to work in a team of internationally established theatre professionals and gain invaluable experience. The internship will also be suitable for a singer who is looking to gain more experience in opera production in the German Theatre system. The in-person dates for the internship are July 23-August 19, 2026, though some online preparation will be required in the months before the program. This internship includes a €500 stipend and we can assist in finding reasonably priced housing for your time in Berlin. At the end of the internship, we can offer a written recommendation and/or serve as a reference for further opportunities should you require it. A good command of English is required. If interested, please send CV/resume outlining relevant experience, as well as a cover letter, to [email protected] |
© Photos property of Dramatic Voices Program Berlin
Because the program has no age limit, young dramatic voices get to share the stage with seasoned professionals who are participating in the program because they want to sing a particular role or are changing Fachs. I established solid professional relationships with people who are in the industry, and working in the opera houses in Europe. And what I have received in lessons, coachings, masterclasses and performance opportunities, headshots, recordings has been one of the most cost effective investments I have done.'
- Stephanie DePrez, Soprano [Woglinde, Das Rheingold 2019]
'Everything that was promised by the program came through beautifully. The daily coachings were impeccable, the voice teaching was fantastic. I feel like I have arrived at another level. I can add Wagner to my repertoire and I owe this to the Dramatic Voices Program Berlin.'
- Marc Molomot, Tenor [Mime, Das Rheingold 2019]
'My favorite part were the coachings and lessons, which were at a very high level - they were specific and always done from an encouraging point of view. I did a lot of artistic growth in an environment that is supportive and encourages risk-taking.'
- Jennifer Carter, Soprano [Wellgunde, Das Rheingold 2019]
- Stephanie DePrez, Soprano [Woglinde, Das Rheingold 2019]
'Everything that was promised by the program came through beautifully. The daily coachings were impeccable, the voice teaching was fantastic. I feel like I have arrived at another level. I can add Wagner to my repertoire and I owe this to the Dramatic Voices Program Berlin.'
- Marc Molomot, Tenor [Mime, Das Rheingold 2019]
'My favorite part were the coachings and lessons, which were at a very high level - they were specific and always done from an encouraging point of view. I did a lot of artistic growth in an environment that is supportive and encourages risk-taking.'
- Jennifer Carter, Soprano [Wellgunde, Das Rheingold 2019]